Chau

Bye

At the end of 2016 I participated in this group exhibition of Visual Arts, with two works created especially during the month of December of that year.

"Morning Star" and "Night Star" show the faces of two women in the foreground, as allegories of the heat of the summer dawn and the freshness of the night sea breeze. Their unreal faces, full of intense colors, conjugate fantasies about the shades of the rainbow and the sunset.

 

ARTEME – Museo Regazzoni de Artistas Emergentes
Av. del Libertador 405, Galpones 1 al 5, Buenos Aires, Argentina

From December 18, 2015 to January 9, 2016

Negro Absoluto

Absolut Black

After eight years away from exhibitions, I went back to taking up brushes, adapting my technique to acrylic on small and medium-sized frames.

For this collective exhibition, under the slogan of a completely black background, I made three paintings of a neosurrealist tone, in which the human figure disintegrates or metamorphoses according to the metamessage of each one.

«Butterfly Nebula» is a hymn to spiritual freedom, a dancing woman who spreads the wings of one of the most beautiful nebulae in the cosmos. Like a sublime paradox, the fragile wings of the butterfly expand in the colossal cosmic dimension of the immeasurable space of the universe.

«Free Spirit» is a self-portrait with a bow and arrow, since Archery is another of my passions, an ancient art that I enjoy practicing whenever I can. The painting is named after my bow, a definition of my own spirit with which a dear friend once described me.

"Senselessness" is a synchresis of multiple meanings. It represents duality, madness, deception, vanity and aggressiveness, an attribute of those who have confused the real meaning of life and are lost in the incoherence of a poor fiction, in which sooner or later their lie is exposed.

«Introspection» shows a human figure enraptured in itself, wrapped in the wings of an owl, a bird that symbolizes wisdom and self-knowledge. While the person keeps her ears covered and her gaze hidden in complete nudity, the bird strongly challenges the observer with a frontal and direct gaze, staring at her. Perhaps in a double attitude of protection of the knowledge of the one who dares to dive in its shadows, as well as questioning the observer, wanting to know if he will be able to dare to do so as well.

 

ARTEME Museo Regazzoni de Artistas Emergentes
Av. del Libertador 405, Galpones 1 al 5, Buenos Aires. Argentina

From November 4 to 19, 2015

Salón de Técnicas de Realización Escenográfica del Teatro Colón

Scenographic Production Techniques Room of the Colón Theater

Within the IX and X Hall of Scenographic Realization Techniques, two collective exhibitions were held where paintings, sculptures and models were exhibited, made within the framework of the course dictated by the Colón Theater, opening the doors to the community so you can enjoy the works, mostly on a large scale, both originals and reproductions.

On this occasion, five of my 2 x 3 meter paintings were exhibited:

«Cathedrals I» (On original work in homage to Auguste Rodin)

«Cathedrals II» (On original work, homage to Albrecht Dürer)

«Images of Carcassonne» (original work)

«The Rape of Psyche» (Large-scale reproduction of the original by William Bouguereau)

«The liberation of Saint Peter» (Large-scale reproduction of the original by Rafael Sanzio).

In addition, "Man" and "Woman in Red" , works measuring 1 x 1.50 meters, and a Bas-relief , a copy of a detail of the Egyptian tomb of Nefertari, made with scenographic techniques.

 

Centro Cultural Carlos Gardel
Olleros 3640, Buenos Aires, Argentina

October 6 and December 20, 2007